Last Friday I messaged my family’s group chat, sending love to my mum because it was my grandma’s and my mum’s partner’s birthdays. My grandma and my mum’s partner are dead. I was a bit hungover; I’d been on a date the night before and I was trying to work out how I felt about it. I chatted to friends, I made a nice pasta sauce, I started to paint the inside of a cupboard in living room, I watched Traitors. Just before I went to bed a close friend messaged me saying it was hard to believe it was 5 years since our friend Roddy died. I’d totally forgotten it was the anniversary of his death. I felt the blow of forgetting – as though I’d been complacent and let him down.
Over the past few years I’ve made a point of posting a poem of his, but it was late, and I found myself looking at photos of us together – I added some to my Instagram stories. I couldn’t let myself miss the anniversary in its entirety but who was that for? Certainly no one was out there monitoring my socials to determine if I still cared. It might just be I had to post to try to keep up the habit, the act a promise not to forget next time. But also, a tiny, calloused part of me worries if I just want to be seen as a good mourner. Impeccable in my grief.
In one of Roddy’s poems he wrote ‘desire has a coast’. It was instantly memorable to me, and I instinctively felt that it was true, desire is an edge we move towards or away from. I imagined drawing a fingertip across someone’s naked body, the shoreline of themselves, wondering how deep I’d go out to sea with them. I think of that poem now because I wonder if grief has a coastline too. Sometimes I skirt the edges of it, aware of the scale of the horizon to be found there – I don’t want to look directly at it, but it colours all my vision, nonetheless. Other times I’m inland, and grief is like the vague scent a bay leaf might lend a stew. It’s hard to determine what particular character it is adding to my days.
But then there are the occasions I choose to stand right in it, let grief’s elements come at me from all directions so I feel every contour of absence and loss. I watch the video clips. I look through chat history. I read his poems and talk back to them.
Writing this I went to check the poem, so that I could quote it correctly and found I’d misremembered the title, and it was another poem entirely. Not one I thought was called ‘Sea Air’, but another – in fact the poem I tell myself is my favourite of his – ‘Terrific Melancholy’. It troubles me that there might be a vanity present in grief. Because it was a vain thought I had when I discovered I was wrong.
Before I go – some news. I’m turning on the option for paid subscriptions. I’ll always post some newsletters for free but there’s some content I’d like to keep to a smaller group, where I can experiment a bit more and also offer some exclusive content. More on this soon!
I think if you’re a writer an awful self-consciousness can creep into everything, because the observing stance is so habitual that you can start to wonder if you’re sincere about ANYTHING. Add social media and god only knows. I’ll say this, though. Sometimes the act of observing yourself and questioning isn’t a sign that you don’t feel something enough, but a defence against feeling it too much. For me anyway. X